Showing posts with label Brian Eno. Show all posts
Showing posts with label Brian Eno. Show all posts

Monday, April 11, 2011

FLAC PARTY!!!!!

Ladies and Gentlemen, for your listening pleasure, here are some of the albums that have been posted in lossy formats that people have requested in FLAC. Enjoy!



Brian Eno - My Squelchy Life
Part 1
Part 2



Lucky Pierre - 1978-1988
Part 1
Part 2
Part 3



Queen - The BASIC Bootlegs
Part 1
Part 2
Part 3



Buckner & Garcia - Pac-Man Fever (Original Vinyl Version)
Part 1
Part 2



Crazy Wisdom Masters - The Payback EP
download link (I'm sure you all know who this really is!)

Thursday, December 16, 2010

Brian Eno - Textures


Captain Willard has somehow disappeared. AGAIN! I have no idea what has happened to his wonderful blogs but I hope he's alright. Maybe we'll get lucky and he'll return for good soon.

The good Captain posted this Eno album on his blog and I've seen it a few other places too, but I received a lossless copy and thought it would be a nice upgrade to a great album. For the record, most comments regarding this album make it out to be unreleased, but that is not accurate. It was released on the Standard Music Library label which issues production music for use in film, television, radio and other mediums. It seems they released Textures at least four times, each with different packaging but the same musical contents. The label is still functioning and has a website where much of their catalog can be purchased, though Textures no longer seems available so it must be out of print, at least for the time being.

Eleven of the tracks on Textures are otherwise unreleased, although the rest are edits or alternate versions of commercially released tracks. I'll give information regarding these differences in the track list below. Otherwise, it's important to note that the version I received of Textures was sent as one track and I believe is available via Avax. Like Plunderphonic, I split the file into multiple tracks with the Medieval Cue Splitter, but there was no special indexing on the cue so I decided not to include it with the album. I've also included artwork from all four issues of the album, all of which is taken from the wonderful Discogs reference page. And finally, as with Plunderphonic, Discosphere and the Sign O' The Times box, make sure you download both FLAC parts and extract each individually as they are not linked to each other. Once you've extracted both completely then you can delete the rars. Enjoy!


Brian Eno - Textures

FLAC Part 1

FLAC Part 2

V0 MP3

01 Soft Dawn

02 The Water Garden

aka Cavallino from The Shutov Assembly

03 Shaded Water
aka Alhondiga from The Shutov Assembly

04 Suspicious
aka Lanzarote from The Shutov Assembly

05 Ozone

06 Landscape With Haze

aka Riverside from The Shutov Assembly

07 Mirage
aka Triennale from The Shutov Assembly

08 River Mist
aka Asian River from Music For Films III

09 Constant Dreams
aka Neroli (Edit) from Neroli (Thinking Music Part IV)

10 Dark Dreams

11 Black Planet

12 Night Thoughts

13 Travelers

14 Evil Thoughts

15 Darkness

16 Jungles

17 Sanctuaries

18 Menace

19 Suspended Motion

aka Markgraph from The Shutov Assembly

20 The Wild
aka Stedelijk from The Shutov Assembly

21 River Journey
aka Asian River (Extended Alternate Mix) from Music For Films III

Wednesday, December 8, 2010

No New York


It's 1978, you're Brian Eno and you're in New York to master the new Talking Heads album, More Songs About Buildings and Food, which you've also produced. While in town you visit an underground festival at a venue named Artists Space and are taken by the "No Wave" bands performing. You decide this music should be documented, so what do you do? You record four of the bands and put out a record on a small subsidiary of Island Records, that label you have a friendly relationship with, called Antilles. You name the record No New York and history is changed or something like that.

Seriously, that's basically what happened. Eno got Lydia Lunch's Teenage Jesus and The Jerks, James Chance and The Contortions (credited simply as Contortions), Mars and Lindsay/Crutchfield's D.N.A. to hunker down at the Big Apple Studio in New York for some quick sessions with minimal production and the album was all but complete. At that time it was probably assumed that none of these bands would go on to anything big, and while their then current incarnations never had any substantial success or hits, you can't underestimate the influence Lunch, Chance, Lindsay and their associates had on modern music. The spastic punk/funk/noise of their works remains important and has been documented in books like Please Kill Me. At times catchy and fascinating, at others ear damaging and scream inducing, everyone here was truly unique for their time and there really aren't many records like it. A number of unrelated compilations have even been issued to pay tribute with names like Yes New York, Yes L.A. and Maybe Chicago?, but they all kind of miss the point. While those compilations feature bands of their eras and scenes, there was NOTHING like No New York at it's time, nor is there much of anything similar today. Truly great stuff that proves you don't have to be number one to change the world.


No New York

Contortions
01 Dish It Out
02 Flip Your Face
03 Jaded
04 I Can't Stand Myself


Teenage Jesus and The Jerks
05 Burning Rubber
06 The Closet
07 Red Alert
08 I Woke Up Dreaming


Mars
09 Helen Fordsdale
10 Hairwaves
11 Tunnel
12 Puerto Rican Ghost


D.N.A.
13 Egomaniac's Kiss
14 Lionel
15 Not Moving
16 Size




R.I.P. Anya Philips: 1955-1981

Monday, October 25, 2010

October 2010 Mixtape: DO I HAVE TO WORK AT WALMART?


About two weeks ago I lost the job I've been doing for most of the last eight years. I knew trouble was brewing but I really didn't think I would be considered the responsible party for the events in question. Out of the blue I get a list of complaints with my name highlighted, although upon further inspection it turns out I'm not the main reason for the complaints, and when I am involved it's primarily one person who I didn't get along with and attempted to avoid in the first place. Overall, I'm thinking that if I talk to my boss, someone I've known and respected and considered a friend, that everything is going to be alright, but he doesn't talk to me, he just fires me. Through the grapevine I heard that this was just business and that he wanted to make things right, but when he finally calls he complains that my version of the events doesn't match what he's heard, and all I can say to that is do you want my story or not? He knows what happened, and he decided to remove me to save his company's position, which I fully understand, but he did it in the worst way possible. To make matters worse yet, when we finally met he told me in a rather roundabout way that he thought I was cheating him and he didn't care about me any longer. Almost eight years and this is the way it ends, after a fantastic history with practically no issues whatsoever, and when complaints come up and I'm not even the reason for the complaints I'm fired because my name appeared in close proximity. It makes one feel pretty faithless.

All of this said, I'm not out of faith and totally believe in myself, but I can't say that I'm fully over feeling upset. My girlfriend initially thought I must have royally screwed up and couldn't accept it, but after learning the facts she's fully on my side, although she really always was, as are the rest of my family and friends, so I've still got my support system. What's crazy is looking for a new job. I've filled out applications online but I'm surprised to see most businesses don't even accept paper copies any longer. It's taking a rough and soulless part of the process and making it worse. I've got management experience, great customer service abilities, I'm very good with technology and have worked in fields where I've handled merchandise and money safely and regularly without shrinkage, but trying to fill all of this into a cookie cutter digital application feels impossible. Data will get in, but will it be interpreted correctly? Will the minutiae of my experience be read for as dynamic as it really is? Will my unique and useful traits be visible to those who should see them? DO I HAVE A CHANCE?

So, last night, after much prodding from my girlfriend as well as some friends and family and filling out applications all over the place, I went online and applied to Walmart, assuming there is a good chance I could find employment there. I've been largely skeptical about applying to Walmart despite knowing they have a high hire rate, mostly because I doubt I'll be working in a position that I feel I'd be suited to (raging ego trip right there!) and everyone knows how "interesting" the Walmart clientele can be. Don't get me wrong, most average people shopping at Walmart are perfectly fine, but I'm sure you've all seen a few subhumans lurking the isles from time to time. If you stuck me in the entertainment and electronics section I'd shine but how likely would it be that I would be so lucky? In an organization that big I'm sure I'd end up stocking the freezers. I'd even be happy standing at the customer service desk and answering questions, no matter what they are, as I've basically been doing that in one way or another for years, but sincerely, what are my chances?

So far, the only nibbles I've gotten was an e-mail from AFLAC, offering what sounded like an office position, only to find out they wanted me to get my insurance license and sell their product on the road, and Family Video, with whom I had a great interview about a possible managerial position but there were no openings locally at the time, and having just moved I can't pack up and go to Alabama. I've had friends ask me why I can't write for a living and my answer is I honestly don't know how to get started in that field or whom I should talk to. My girlfriend said "if only I got paid for my website", to which I could only respond "if only". So the quest continues. Don't worry, just in case you might be, I'm sure I'll find a new position shortly and everything will be just fine, and more so, I don't want to sound hopeless, it's just hard to put an amazing spin on such a murky situation.

Anyway, for my own entertainment, I made this months mixtape a soundtrack to my dilemma. I hope you find it entertaining as there is some really good stuff on it, much of which really gets me moving. Thanks for letting me bitch and moan a little. Enjoy!


The Unheard Music - October 2010 Mixtape: DO I HAVE TO WORK AT WALMART?

01 David Bowie - Beauty and The Beast
The sound of a drunken Bowie getting it together. I always think of it as the theme to someone getting back on their feet.

02 The Bird and The Bee - Heard It On The Radio
Missing my job, for which all jobs are relationships. Also realizing it might not have been as good as I always thought is was.

03 Television - Little Johnny Jewel
Verlaine's guitar is so out there. This makes me think of punk rock as jazz. Abstract tunes always seem to lock my mind into place so I can get heavy thinking done.

04 No Age - Glitter (Long Version)
A few weeks ago I was driving around to this summer jam feeling like it would keep summer from ever ending. It kinda works. The extended feedback loops at the end are just dreamy.

05 Junior Senior - Shake Your Coconuts (DFA Remix)
This feels like it's mining the same area as No Age's Glitter. The cheesy nature of the original version is ditched for what is basically LCD Soundsystem making a bunch of noise and having a funky party in a loft somewhere in New York. Love the guitar feedback. It's like James Murphy, who I'm assuming is playing guitar here, doesn't even care about playing notes, just making some wild textures.

06 Astrud Gilberto - Once I Loved
Again, loss of job, loss of security, feeling of betrayal. Beautiful song from the beautiful Ms. Gilberto.

07 Lowell George - 20 Million Things
Sometimes it feels like I can do anything anyone needs, but other times I feel like I can't get anywhere myself. I guess that's what this song is kind of about, but it's what I get out of it.

08 Devo - S.I.B. (Swelling Itching Brain)
Who hasn't been here? Terror, paranoia, gloom and misery? This song sums up all those feelings perfectly. I don't feel this way often, but when I have this is the soundtrack.

09 Fripp & Eno - Later On
This is Eno's remix of Swastika Girls from he and Fripp's No Pussyfooting. It was only released as the b-side to Eno's Seven Deadly Finns single. The day I got fired I must have played No Pussyfooting three or four times. It totally kept me grounded and calm. Love that album and love this track.

10 Los Saicos - Demolición
Rom turned me on to these guys recently. Actually, he called while I was at my first interview with Family Video and my interviewer had to attend to some things so she told me I could return my call if I wanted to. He compared them to Iggy and The Stooges, which I don't really agree with, but they've got the punk attitude and garage rock rawness down perfect. These guys are from Peru and are something of a best kept secret. I might do a post about them in the near future but I believe their discography is now available legally here in the US so I won't be posting it for download if that's the case. Otherwise, this is fueling my engine.

11 Me'Shell Ndegéocello - If That's Your Boyfriend (He Wasn't Last Night)
Trust me, I CANNOT relate to this song, but I love the F@#K YOU attitude of it! When you get knocked down sometimes you need to do more than just get back up. You need to put a little swagger back in your step. This is overflowing with swagger and it's funky as hell, so it's been on my mind. And anyway, Me'Shell is seriously badass!

12 Jeff Simmons - I'm In The Music Business
While I've never done a porn shoot and am certain I never will, I understand the misery Mr. Simmons is conveying. That said, it's not like a song like this could really help the financial prospects of an ex-Mother Of Invention. Not saying it isn't a good song as it is, and I love the humor of it and everything from it's parent album, Lucille Has Messed Up My Mind, but one listen and you'll understand that there couldn't have been, or at least shouldn't have been, any illusions of a blockbuster hit record.

13 Adrian Belew - Naive Guitar
A beautiful, mournful melody. For the bummier moments, although I loved this piece before my current predicament was even a possibility.

14 Dizzy Gillespie - Manteca
How can you not get up and dance to this? How can you not be filled with exuberant joy when this comes on? Dizzy was/is the man! Afro Cuban jazz forever!

15 Brian Eno - King's Lead Hat
Just in case you didn't know, King's Lead Hat is an anagram for Talking Heads, the band Eno had just decided to produce when he wrote this song. Not really about anything, it's simply filled with frantic energy and makes me wanna move. Not dance, not party, but make things happen. LIKE GETTING A JOB.

16 Deftones - Rocket Skates (M83 Remix)
Rocket Skates? Really? Well, it's still a good Deftones song and a fine remix from M83. For some reason this was making me think of the Inception soundtrack last night.

17 Nine Inch Nails - Theme For Tetsuo The Bullet Man
Bold, heavy, noisy, all together maddening. This makes me wanna rip my skin off and use it like a weapon. Sounds like a sick video game, or a really sick Robbie Williams video.

18 Liz Phair - In Love With Yourself
One of Liz's Girly-Sound demos, this is an honest reminder not to kiss your own ass. Generally I'm very serious about not believing my own hype, but sometimes you've gotta remind yourself not to let your head get too big.


PS - The Prince post, which has been happening on Mondays for a while, will either be tomorrow or Wednesday. I've got a ton of really cool stuff ready to be shared that might get in the way of his purpleness, but don't worry, I won't forget.

PS2 - Hopefully no one working at Walmart will take offense to this post. Not trying to knock you guys. And to anyone that wants to complain that I shouldn't be working at Walmart, a job is a job guys. Would you rather not be able to pay your bills? Anyway, they have to hire me first, but I'd work there. That is unless someone wants to pay me 30k a year to write for their publication. I'd always take more than 30k but that would certainly pay my bills. So, who wants to hire me to write stuff for them? PLEASE?

PS3 - That part where I mentioned how if only I got paid for running this site, don't worry, I'm not going to start putting ads or anything up here. I don't believe in doing that and while I'd love to get paid for doing something I love, I don't run this place to get paid, I run it to share information, be it music, musical, historical, visual or what not. Though again, someone wanna pay me to do this thing I love?

Wednesday, October 13, 2010

Television - Demos 74-75


I've been on a Television kick lately, playing Marquee Moon a lot. If you've never heard it, I'd suggest PBthal's incredible rip of an original vinyl pressing, although the 2003 reissue, which comes with some very nice bonus tracks, is worth grabbing as well. That said, PBthal's rule is not to share his web address so you'll have to google him yourself. Hell, I'd put him in my blog list to the right but again, he likes to remain as invisible as possible.

Anyway, wanting to learn more about the earlier line-up of Television, which Richard Hell was a member of, I went looking for goodies and found the Richard Williams and Brian Eno produced demos from 1974 for Island Records. Interestingly, six songs were recorded during these sessions, one of which was Blank Generation, but Hell left the band, by his own statement about a month after making these recordings, so I guess it makes sense as to why that track wouldn't have appeared on copies of the demo that were passed around. Really unfortunate as, in retrospect, who wouldn't want to hear that version of the song?

I also found some demos from 1975 which may have been self-produced by the band and recorded at Patti Smith's place. The wonderful Hard On Love is a standout of immense proportions, making everyone wonder why the hell it didn't get re-recorded. As for Little Johnny Jewel, it's the same version released as a single and probably taken from a vinyl rip as it's a lot cleaner sounding than the rest of the demos, but it is from these sessions so it deserves inclusion.

I've gotta give credit to some fellas known as the Wacko Brothers who compiled these tracks from various bootlegs and assembled a torrent with the eleven tracks presented here and another rip of the Eno demos from a vinyl source. I decided to leave the vinyl rips off because they're the same tracks but sound quite bad due to their lo-fi bootleg nature. The vinyl tracks were also playing at the wrong speed and I pitch corrected them, but what's the point in listening to them when you've got the superior versions? The only potential reason is a slightly longer version of Marquee Moon, but it's the same take so I have no idea where the roughly twenty additional seconds come from. So again, thanks Wacko Bros, I don't take credit from those who did the work before me and you fellas, assuming you are more than one person, did a great job!


Television - Demos 74-75

01 Prove It (12/74 Eno Demo)
02 Friction (12/74 Eno Demo)
03 Venus (12/74 Eno Demo)
04 Double Exposure (12/74 Eno Demo)
05 Marquee Moon (12/74 Eno Demo)
06 Hard On Love (8/75 Demo)
07 Friction (8/75 Demo)
08 Careful (8/75 Demo)
09 Prove It (8/75 Demo)
10 Fire Engine (8/75 Demo)
11 Little Johnny Jewel (8/75 Demo)

Saturday, October 9, 2010

Brian Eno - My Squelchy Life


What an appropriate name for a Brian Eno album.

This 1991 release was shelved by Eno shortly before it's release date, although promos had been mailed and the album was reviewed by at least one publication. Some of the tracks appeared on Eno's Nerve Net album and others saw release via varying compilations, but the full album has never seen the light of day, at least in a legal sense.

My Squelchy Life had been touted as a return to vocal work for Eno, with some claiming it to be classic Eno pop, but this is certainly no Warm Jets 2. The best comparison might be to Another Green World as there are songs next to instrumental pieces, but even that is a bit misleading as Green World was still a youthful album, whereas Squelchy is filled with recollection and darkness. Older, yes, but no less intriguing or gripping.

Eno sings in a tone quite similar to that of his friend and collaborator, David Byrne, but sometimes he hits chords that are thoroughly unexpected. On Over, he conjures the spirit of an Elvis Presley ballad, while on Tutti Forgetti he sounds like a parody of Byrne and soul singers. Stiff is a glorious ode to welcoming death, and yet it's probably the poppiest number on the album. On Everybody's Mother, his vocals are processed in a way that you could listen to the story, but if you treat his vocal like an instrument you're greeted by what sounds like a quiet voice over a short-wave radio, all with the sound of a thunderstorm in the background. There are also wonderful instrumentals like the tinkling piano of Little Apricot and the dark vocal collage of the title cut, leaving a truly unsettling feeling. Beauty like this covers the album, leaving the listener fascinated if not a little disturbed.

As to why the album was not released, a clear answer has never been given. It's assumed part of the problem stemmed from the end of Eno's Opal Records partnership with Warner Bros., but that's only a logical assumption rather than a sturdy explanation. Regardless, it's unfortunate that My Squelchy Life never saw release as it was intended.

Regarding this version, I received a lossless rip of the album from someone who got it from a popular music downloading site. I investigated it's spectral data and everything looks to be from a lossless source, although some files cut off a little below the full frequency range of a standard CD. Is this a collection of tracks from different sources put together? Is this a pre-master? Was this the master and Eno simply not concerned about such details? Whatever the answer, this is a serious upgrade from the version of the album I previously had and I'm sure anyone listening will find it thoroughly pleasing. Enjoy!


Brian Eno - My Squelchy Life

UPDATE: HERE is another download link for the album, this time in ZIP format as requested. To the Anonymous poster that requested this ZIP file, I still don't understand what difference this makes but I hope it helps you out. The original link located above still works just fine and has a recovery archive, which the ZIP version does not.

01 I Fall Up
02 The Harness
03 My Squelchy Life
04 Tutti Forgetti
05 Stiff
06 Some Words
07 Juju Space Jazz
08 Under
09 Everybody's Mother / Step Up My Boys
10 Little Apricot
11 Over



PS - Two little notes. First, I'm sure that the art featured above couldn't be official. It certainly is cheesy looking, isn't it? Second, does Juju Space Jazz live up to it's name or what?

Monday, August 23, 2010

David Bowie - Outside Outtakes


Growing up, my father always talked about how great Bowie was. My first real experience with Bowie's music was 1995's Outside, and boy was I confused. In retrospect, it was clearly the wrong place to start, and I'm sure many other Nine Inch Nails fans have figured that out as well, but at the time I kept replaying Outside in hopes that I would figure something out. There is a lot of great music there but it's difficult to get through, so despite loving tracks like The Motel and A Small Plot Of Land, Outside has never been a favorite of mine.

Years later, having better familiarized myself with Bowie's catalog, I'm really into the trio of albums he did with Eno and a big fan of records like Scary Monsters and Station To Station. With that, after hearing the version of I'm Afraid Of Americans from the Showgirls soundtrack which is an Eno production from around the same time as the 1995 recordings, and reading about the then-proposed trilogy of albums with Eno that Outside was supposed to begin, I thought it was time to re-explore that album. Sadly, the results were about the same, but it did lead me to find some outtakes from those sessions.

Much has been said about the circulating Outside outtakes, so I'll spare you a reiteration and point you directly to this page which has lots of details. If you want the skinny though, these recordings feature some of the improvisations from those sessions, parts of which became interludes on the final album. There is some seriously "proggy" stuff going on with Bowie's truly strange storyline, so don't expect the unreleased pop version of Outside, this is for those who enjoyed that corner of Bowie's universe.

I went to college in 1996 and heard Bowie's next album, Earthling, while djing at one of the school's radio stations. It had a much larger impact on me as I was really into jungle at that time, but then I got to hear "Heroes" which changed everything. Great songwriting, real passion in the performances and such an engrossing atmosphere, all of which led me to discover what was really great about Bowie. Even when he stumbles, his songwriting chops and ability to conjure a sense of time and space are wonderful, and no matter what one thinks of Outside, he still had and still has a lot of life in him. Now if only someone would leak the Toy album.


David Bowie - Something Really Fishy (The 1. Outside Outtakes)
UPDATE: The download got nixed by the DMCA. Sorry guys.

01 Hello Leon
02 I Am With Name / Hide Me / We Creep Together (Part 1)
03 Hide Me / We Creep Together (Part 2)
04 I Wanna Be
05 The First Time
06 I Am With Name / We Creep Together (Part 3)



PS - Usually I'm on top of these things, but I've really got to explore Fripp and Belew's recordings. I'm more familiar with their appearances with Talking Heads than anything else they've done. So, can someone give me some advice as to some albums where their guitar pyrotechnics really get shown off? Please?

Wednesday, September 2, 2009

Brian Eno and David Byrne - Ghosts


I have issues with the label of "world music". Something tells me that people in Africa aren't referring to American or British pop music as "world music". That said, I understand why such a generalized label exists, as many people need something simple they can use when referring to something they're not necessarily familiar with or know very little about.

Music that is foreign to one's natural culture can understandably be very interesting, and I'd be lying to say I know oodles about such things, but I know what I like. The same could be said for Brian Eno and David Byrne. While Eno was producing music for Talking Heads, he and Byrne had discussed the idea of making a music that sounded like it came from an unknown country, indigenous only to itself. With this concept they started creating the music that would form their 1980 album, My Life In The Bush Of Ghosts, a collection of grooves, some rather funky and not far removed from the sound of Talking Heads, but with the major difference of audio samples from varying sources in place of vocals. It created an interesting and disorienting style unlike much of anything heard before it's release.

The road to Bush Of Ghosts' release was rather complicated, largely in part to sample clearances. Kathryn Kuhlman, an American faith healer and Pentecostal evangelist, had been sampled for a piece named Into The Spirit Womb, but her estate refused to allow Eno and Byrne to use the samples of Kuhlman, so despite the album having been finished, they returned to the studio to redo the track, now named The Jezebel Spirit, and record additional pieces. With these additional sessions completed the album was again considered finished and was released, although several tracks intended for the original version of the album had been deleted and replaced by new recordings.

In 2006, Eno and Byrne reunited to reissue the released Bush Of Ghosts with some of the recordings that never received an official release. The reissue featured extensive liner notes alongside those newly released tracks, but the Kuhlman-sampling track was still unable to be cleared leaving some people disappointed.

Well before the 2006 reissue was even considered, a bootleg named Ghosts began to circulate, featuring the original, unreleased version of the album with the Kuhlman-sampling track included as well as most of the unreleased recordings featured on the reissue, albeit in different mixes, making it an equally important part of the Bush Of Ghosts story.

Included in this version of this release is an excerpt of an interview with Brian Eno discussing the creation of the album. I'm including notes as to what the differences are between the names of the tracks in this collection and their names on the 2006 reissue as well as alternate labels. All of the mixes of the tracks released on the 1980 version of the album are the same here. I am also including two additional tracks from this era, Qu'ran which was removed from later pressings of the album due to pressure from the Muslim community due to the source of it's samples, and Garbage Disco which was the working title for the original, instrumental version of America Is Waiting.


Brian Eno and David Byrne - Ghosts
NOTE: This has been re-upped for anyone having trouble with the original rar file. If you don't want to re-download the whole thing, at the bottom of the page there is a link for track five only.

01 Interview (excerpt from Eno's February 2, 1980 KPFA-FM interview)
02 Mea Culpa
03 Into The Spirit Womb (original version of The Jezebel Spirit with Kathryn Kuhlman samples. alternate working title was Lot.)
04 Regiment
05 The Friends Of Amos Tutuola (released as Two Against Three on the 2006 reissue. alternate working title was Iron Bed.)
06 America Is Waiting
07 The Carrier (working title was Breathing Once A Minute.)
08 Very, Very Hungry (working title was Shaking With My Voice.)
09 On The Way To Zagora (released as Pitch To Voltage on the 2006 reissue. alternate working title was Cunning Tendancy.)
10 Les Hommes Ne Le Sauront Jamais (released as Number 8 Mix on the 2006 reissue. alternate working title was Late But Serious.)
11 A Secret Life (working title was In The Castle Of My Skin.)
12 Come With Us (working title was Spirit Of Prey.)
13 Mountain Of Needles

Additional Tracks:
Qu'ran
Garbage Disco (instrumental of America Is Waiting)

NOTE: Garbage Disco has been reuploaded.

REUPLOAD: The Friends Of Amos Tutuola

Monday, August 3, 2009

Warner Brothers Records: Trademark Of Quality (1992)


The problem with major labels is that everyone remembers the bad things about them and never the good things. That said, these days the good things are rather scarce, but there was a time when the major label was quite the asset and a career could be jump-started, deservedly or not, by hard work and promotion on the labels' part. I've bashed Warner Brothers in the past for issues surrounding the non-releases of albums by the Jungle Brothers and Juliana Hatfield, but for every sad story like those there is an incredible story for artists like Cibo Matto, Soul Coughing and others. I don't know if it comes down to being in the right place at the right time or having the right friends, but it's a shame when something goes right for an artist but it completely fails for an equally deserving one.

I've always wondered how much of the failures goes back to their promotional pushes. I remember lots of great samplers that would get sent to record stores in the nineties. Sometimes they wouldn't get played, but you'd find them really cheap in the used bin and there would be a song or two you knew and liked as well as a bunch of stuff you'd never heard of. I heard a lot of great stuff that I never would have heard otherwise because of those samplers, and practically no one gets that kind of treatment anymore. A lot of labels get the impression that people find out about everything online, but despite how easy it is to download an MP3, if you don't know to look for it how are you gonna get it? That's why it was great to get free samplers in your bag with a purchase or find a bunch sitting by the door for you to grab while leaving. I really miss stuff like that.

In regards to samplers, Elektra, a Warners subsidiary, always had great ones, and Atlantic had some good ones too, but Warners as a whole did some really classy releases from time to time. In particular, I found out about their Trademark Of Quality series when researching the Jungle Brothers' Crazy Wisdom Masters, as the 1993 compilation featured the only official release of the otherwise unavailable Troopin' On The Down Low. Now I knew where to look for that track, but I also found a ton of other awesome stuff which was unavailable elsewhere too. On top of that, for a few years Warners would issue a new Trademark comp every year and give them away at music industry events like the CMJ showcases. Most of the tracks contained therein have never been reissued making the releases very collectable. A very kind reader of this site is sending me a copy of the 1993 comp which I'll post after receiving in a few weeks, but here is the 1992 edition which holds just as many oddities for all to examine.

One more thing before I go the link..., how is it the Flaming Lips can have a continued career with Warners? I'm sure their record sales are okay, but they can't be THAT GOOD. Are they just a heluva lot more realistic about their business plans than a lot of other bands? I'd love to hear the inside story as to how Zaireeka got approved, although I heard that it was by figuring out the numbers completely in regards to sales. Still, that had to be quite the hard sell. Okay, enjoy the album!

Warner Brothers Records: Trademark Of Quality (1992)
NOTE: You must download both parts to get the complete album.
Part One
Part Two

01 The Carl Stalling Project - Intro
02 Mudhoney - Fix Me
03 Babes In Toyland - Bruise Violet (Alternate Version)
04 Poster Children - Isis
05 The Muffs - Lucky Guy
06 Jane's Addiction + Body Count - Don't Call Me Nigger, Whitey
07 The Flaming Lips - Jets Part 2 (My Two Days As An Ambulance Driver)
08 Gallon Drunk - Ruby
09 American Music Club - Love Connection N.Y.C.
10 Daniel Lanois - Collection Of Marie Claire
11 Bomb - Nineteen
12 David Lynch - The Pink Room
13 R.E.M. - Half a World Away (Live)
14 John Wesley Harding - Your New Clothes
15 Brian Eno - Tutti Forgetti
16 Scorpio Rising - The Strangest Things Turn You On
17 Sister Double Happiness - Tough
18 Medicine - The Power
19 The Wolfgang Press - Birmingham (Howard Grey Remix)
20 The Carl Stalling Project - Outro